May 22, 2012
"Total non-retention has kept my education from being a burden to me."

— Flannery O’Connor

May 22, 2012

conscientious:

A Brief History of John Baldessari

(via cmonstah)

May 16, 2012

Richard Prince ordered to destroy lucrative artwork in copyright breach
US federal judge rules against Gagosian gallery and Prince for unfair use of ‘appropriated’ Cariou rastafarian images

Richard Prince ordered to destroy lucrative artwork in copyright breach

US federal judge rules against Gagosian gallery and Prince for unfair use of ‘appropriated’ Cariou rastafarian images

May 16, 2012

khaleesiborn:

1989 GO-GO DOCUMENTARY (PART 1)

May 12, 2012

taryninstereo:

The Bad Seeds - “A Taste of the Same” (VA: Garage Beat 66: Vol. 5: Readin’ Your Will)

The band performs on a local Texas TV show called “Teen Time,” late 1965.

May 12, 2012
firsttimeuser:

“I spent a great deal of my life being ignored.” —Saul Leiter
(gallery)

firsttimeuser:

“I spent a great deal of my life being ignored.” —Saul Leiter

(gallery)

May 7, 2012

theatlantic:

‘Three Point Landing’, A Supercut of the Best Action Movie Cliché Ever

Duncan Robson, an animator based in San Francisco, premiered his latest supercut at ROFLCon, a conference about internet culture, at  MIT last weekend. Robson was speaking on a panel dedicated to supercuts, a term for thematic montages of found footage coined by Andy Baio of Waxy.org, who moderated the panel. Baio collects supercuts at supercut.org, and Robson’s Three Point Landing marks the 400th upload to the site. Make sure to crank the soundtrack, composed by Joel Robson.

May 5, 2012
lukeskinner:

“Too sweet to be sour, too nice to be mean”
A little tribute to MCA. 

lukeskinner:

“Too sweet to be sour, too nice to be mean”

A little tribute to MCA. 

May 4, 2012

natepatrin:

supervillain:

Beastie Boys on Yo MTV Raps in 1989.

This is maybe the most 1989 thing on the internet and it is great.

(via pitchfork)

May 4, 2012
[Flash 9 is required to listen to audio.]

prostheticknowledge:

Beastie Boys (mix by Dj Format C) 

40 minute mix of classic Beastie Boys tracks - RIP MCA

Afrika Bambaataa - Jazzy Sensation (Drums & vocals used for “Shake your rump”)
ROOT DOWN (1994 Ill Communication # Capitol)
REMOTE CONTROL (1998 Hello Nasty # Capitol)
SABOTAGE (1994 Ill Communication # Capitol)
THREE MC’S AND ONE DJ (1998 Hello Nasty # Capitol)
Alphonse Mouzon - Funky Snakefoot (Drums used for “Shake your rump”)
SHAKE YOUR RUMP (1989 Paul’s Boutique # Capitol)
LIGHTEN UP ( 1996 The in sound fromway out! # Capitol)
SHE’S ON IT (1995 Original Motion Picture Krush Groove)
RIGHT RIGHT NOW NOW (2004 To the 5 Burroughs # Capitol)
ALIVE (2000 Anthology: The Sounds of Science # Grand Royal)
HEY FUCK YOU (2004 To the 5 Burroughs # Capitol)
FIGHT FOR YOUR RIGHT (1986 Licenced to ill # Def Jam Records)
THE BIZ vs. THE NUGE (1992 Check your Head # Capitol)
SLEEP TILL BROOKLYN (1986 Licenced to ill # Def Jam Records)
SURE SHOT (1994 Ill Communication # Capitol)
THE MOVE (1998 Hello Nasty # Capitol)
BODY MOVIN’ (1998 Hello Nasty # Capitol)
INTERGALACTIC (1998 Hello Nasty # Capitol)
OH WORLD? (2004 To the 5 Burroughs # Capitol)
GIRLS (1986 Licenced to ill # Def Jam Records)

Link

Sad to hear the news - will look for other great mixes to share here

May 4, 2012
Agustín Casasola, born in 1874, is one of the most influential, notable Mexican photographers of all-time. He was partial founder of the Mexican Association of Press Photographers, which was established in 1910, the same year that the Mexican Revolution roared and reared its ugly head. One year later, the Graphic Information Agency was also found by Casasola, and it would go on to become the first photo agency in the world to include other photographers. Casasola said, “I have or can produce the photo you need.” Casasola was originally a typographer, by profession, but decided to become a “news-hunting” reporter. In 1902, when the camera fell into his hands, he was ceaseless in his desire to seek-out images and let their reality shine, not only through that period, but now throughout history. He became, in his own words, “a slave of the moment.”
The photography agency went on to grow to 483 photographers, capturing many varying aspects of Mexican culture during that time: from the Mexican Revolution, prostitutes, business owners and the daily lives of hard-working citizens, as well as random acts of violence. In 1976, the Mexican government purchased The Casasola Archive and is currently housed at the INAH (National Institute for Anthropology and History) Fototeca in the city of Pachuca in the state of Hidalgo, and contains over 600,000 negatives made by the agency.

Agustín Casasola, born in 1874, is one of the most influential, notable Mexican photographers of all-time. He was partial founder of the Mexican Association of Press Photographers, which was established in 1910, the same year that the Mexican Revolution roared and reared its ugly head. One year later, the Graphic Information Agency was also found by Casasola, and it would go on to become the first photo agency in the world to include other photographers. Casasola said, I have or can produce the photo you need. Casasola was originally a typographer, by profession, but decided to become a “news-hunting” reporter. In 1902, when the camera fell into his hands, he was ceaseless in his desire to seek-out images and let their reality shine, not only through that period, but now throughout history. He became, in his own words, “a slave of the moment.”

The photography agency went on to grow to 483 photographers, capturing many varying aspects of Mexican culture during that time: from the Mexican Revolution, prostitutes, business owners and the daily lives of hard-working citizens, as well as random acts of violence. In 1976, the Mexican government purchased The Casasola Archive and is currently housed at the INAH (National Institute for Anthropology and History) Fototeca in the city of Pachuca in the state of Hidalgo, and contains over 600,000 negatives made by the agency.

May 1, 2012
explore-blog:

Stanford’s Carol S. Dweck on how the two different mindsets, Fixed and Growth, pave different pathways to success and lead to a deterministic view of the world or a greater sense of free will, respectively. From Taschen’s Information Graphics.

explore-blog:

Stanford’s Carol S. Dweck on how the two different mindsets, Fixed and Growth, pave different pathways to success and lead to a deterministic view of the world or a greater sense of free will, respectively. From Taschen’s Information Graphics.

(Source: , via theatlantic)

May 1, 2012

DEAD COMBO “ELECTRICA CADENTE - LIVE AT MAXIME”


from Dead Combo “Live at Maxime” concert, available in “Lusitânia Playboys” CD/DVD.
Directed by Daniel Neves
Produced by Lowlife Pictures / Individeos


April 30, 2012

smithsonianmag:

Never-Before-Seen Photos From the Early Days of Space Exploration

The Gemini astronauts also took some of the most memorable photos in NASA history. You’d think we would have seen them all by now. But with Nasa’s help and funding, a team of researchers at Arizona State University led by lunar scientist Mark Robinson has retrieved from the archives dozens of outtakes that never made it into wide circulation.

Photos: NASA

Ed note: Check out our friends at Air & Space for more stunning photos from the Gemini mission.

(via bbook)

April 29, 2012
Taking Knowledge Out Of College

…”The Case Against Education,” argues that colleges are more about certifying their students than actually teaching them useful skills. Their primary function is to provide “signals” of intelligence and competency, which is why they put students through a variety of mostly arbitrary and useless academic hoops. “Good students tend to be smart, hardworking and conformist—three crucial traits for almost any job,” writes Dr. Caplan. “When a student excels in school, then, employers correctly infer that he’s likely to be a good worker.”

This suggests that the value of a college education has little to do with learning. Instead, graduates’ higher salaries are a testament to the sorting mechanisms of college during the application process and in the classroom.

One useful model for the 21st-century university is preschool—boosting traits such as self-control and conscientiousness.

If this is true, there’s no reason those mechanisms should take four years or cost tens of thousands of dollars. Instead of teaching students particular facts—the sort of information that can now be looked up on a phone—students would learn how to think about thinking…

by jonah lehrer

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